Perlin Noise & NEWGenNOW Cross-Event: Annie Goh
18 Mar 2015

Wed 18 Mar 2015, 7-9pm


Artist and researcher Annie Goh presents her past and current work, introducing her project Banality of Affect and work-in-progress GendyTrouble:Radical Cyberfeminist Computer Music. Joining her will be writers and researchers Marie Thompson and Holly Ingleton who will be introducing their work on sound and gender.

Together, the discussion will take the occasion of the thirtieth anniversary of Donna Haraway’s Cyborg Manifesto as an impetus to probe cyberfeminism’s auditive dimension and ask – what is sonic cyberfeminism and what does it sound like?

Annie Goh (UK) is an artist and researcher working primarily with sound, space, electronic media and generative processes.  She has been based in Berlin since 2008 and holds degrees in Sound Studies, Generative Art and German and European Studies. Recent exhibitions and performances include Arthackday at LEAP and transmediale (Berlin), NK (Berlin), Tokyo Wonder Site (Tokyo), NGBK (Berlin), Heidelberger Kunstverein (Heidelberg), Ars Electronica (Linz) and Klangstaetten Stadtklaenge (Braunschweig). She has co-curated the discourse program of CTM Festival since 2013 and is currently a guest lecturer at the University of Arts Berlin.

Holly Ingleton is a cultural worker and feminist sound studies scholar. She is an Associate Lecturer of Sound Cultures at London College of Communication, University of the Arts London and a PhD Candidate at the Centre for Music Studies at City University London currently completing the research, “Composing Paradoxes: Feminist Process in Sound Arts and Experimental Musics”. Holly is the editor of and one of the founding collaborators of Sound::Gender::Feminism::Activism.

Marie Thompson is a writer and researcher interested in the affective, material and gendered dimensions of sound and music. She is a lecturer at Lincoln School of Film and Media, University of Lincoln. Marie is the co-editor of Sound, Music, Affect: Theorizing Sonic Experience (Bloomsbury, 2013) and has published on the relationship between noise and notions of femininity. Marie is also active as a musician/soundmaker.